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Sheet AM-02 · Rev. C · 2026Commercial film & photo

Selected work

A rider at the water’s edge. A boat under studio lights. Dust in the backlight. Open a frame and take a closer look.

Frames: 12
Base: Dallas, Texas
Role: Commercial director of photography
By: Joey Arcisz

A woman in a pale blue shirt and denim shorts rides a white horse along the wet sand at the water's edge, a wave breaking against dark rocks behind her and a rocky point beyond, in low evening light. — U.S. Polo Assn.
A rider held on a long lens along the surf line, in the last of the light.
Project page (opens in a new tab)

A rider in a white cap on a grey horse walks up a dirt track at sunset, two more riders far behind, a Joshua tree in silhouette against a hazy orange sky, dust hanging in the backlight. — U.S. Polo Assn.
Backlight, dust and a long lens, so the desert does the work.
Project credit
A U.S. Polo Assn. marketing lead publicly credited Joey and Genius House Media on the Joshua Tree campaign.
Credit source (opens in a new tab)
Project page (opens in a new tab)

A wake boat with six people aboard, seen from behind and to one side, throws a wall of spray lit gold by low sun, a dark treeline behind. — Tigé Boats
Backlit spray at speed, exposed for the highlight and held there.
Project page (opens in a new tab)

A performer in a Santa suit, round glasses and white gloves leans out of the window of a red vintage truck, holding a glass bottle of Coca-Cola up to the lens mid-line, snow falling behind. — Coca-Cola Southwest Beverages
A character played straight down a wide lens, close, on a built set.
Project page (opens in a new tab)

An Agazul añejo bottle lying at an angle in a woven basket, backlit so the amber tequila glows through the glass, agave leaves and grass softening around it in warm low light. — Agazul Tequila
Product lit through the liquid: backlight first, everything else soft.
Project page (opens in a new tab)

Seen from directly above the rim, through a chain net: a woman in a grey tank top on an outdoor court looks up at the lens and pushes the ball up toward the hoop. — Sports · Basketball
A camera rigged above the rim, a position nobody expects.
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A white travel trailer behind a pickup climbs a dirt track through dry golden hills, trailing a long plume of dust, oaks along the ridge above, in hazy backlight. — Living Vehicle
Scale from a hillside, and dust for the backlight to catch.
Project page (opens in a new tab)

A woman in a snow-dusted felt hat and dark coat stands beside a white horse with a hand on its bridle, snow falling heavily, trees fading into the storm behind. — U.S. Polo Assn.
Heavy snowfall kept soft against a dark coat and a white horse.
Project page (opens in a new tab)

Straight down on a pale yellow convertible: a blonde woman in a mint shirt and shorts sits on the trunk with one white sneaker up on the rear deck, a bag on the back seat, the car parked on a concrete drive. — U.S. Polo Assn.
A top-down frame that turns the car into a graphic.
Project page (opens in a new tab)

A welder in a dark auto-darkening helmet works at the top of a stepladder in a concrete interior, blue-white sparks bursting from the joint and lighting the visor. — Cardboard Spaceship
One practical source, the weld itself, and everything exposed to it.
Project page (opens in a new tab)

Two stacked frames. Above, a welder in a flag-print cap and dark visor welds a metal panel in a burst of white sparks. Below, a welder bends over a workbench in a shower of orange sparks while a second worker in green looks on. — Kubota
Industrial environments and practical field craft, shot where the work happens. Two frames, shown as two.
Project page (opens in a new tab)

A Starlink dish, its stand, base, a coiled cable and a power cord laid out flat and evenly spaced on a wooden tabletop, shot straight down. — Starlink
Technical clarity and precise product composition. Hardware, shot as hardware.
Project page (opens in a new tab)

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Joey Arcisz · Dallas, TexasProduction / Rentals / Licensing